Ultrasonic Insects Vol 2 Asbjoern Andersen


Can't get enough of Nicolas Titeux's Ultrasonic Insects Library? Then you'll want to check out his new Ultrasonic Insects Volume 2 sound effects library! It has even more extraordinary insect sounds. Here, Nicolas shares his story of finding and recording often elusive insects for this new set of impressive sounds.
Written by Nicolas Titeux, photos courtesy of Nicolas Titeux
Please share:
Zombie sound effects library

Starting point:

Following the exciting experience of Ultrasonic Insects Volume 1, I decided to continue my recording quest with this incredible microphone, the Sanken CO-100K.

For volume 1, I had recorded insects that were relatively common and easy to find, but I was far from covering the hundred orthoptera species in France capable of singing.

For volume 2, I conducted research to find out other species whose songs may be interesting to record. I established a table containing the places, habitats, and times of day where and when these insects can be encountered. For this, I used several guides and consulted the references by the INPN (National inventory of natural heritage). I spotted several remarkable insects, which I absolutely wanted to find. It required traveling several thousand kilometers for almost a year.
 

Hear a selection of sounds from Ultrasonic Insects Vol 2

Hardware:

Last year’s experience led me to make some updates to my hardware. I noticed that I often wasted time adjusting my boom pole and cables, so I purchased a quarter-turn lock pole with an integrated cable. For more comfort, I also bought a lighter windshield. I gained a lot of responsiveness.

The second problem I encountered was the bad quality of my photos. With a phone, you have to get very close to an insect to hopefully get a mediocre photo. So I purchased a reflex camera with a good macro lens to take much nicer pictures, have metadata, and more easily identify certain specimens. For example, certain species of bush-crickets are differentiated by the shape of a small organ invisible to the naked eye.
 

Fruits of the labour:

Get Ultrasonic Insects Vol 1 and 2 below – or get the brand new bundle at a special discount:

  • Animal Sound Effects Ultrasonic Insects Vol 1 Play Track 1000+ sounds included, 44 mins total $69

    Get the stunning sounds of solo insects recorded with unprecedented quality and ultrasonic frequencies. Discover the hiss of Madagascar hissing cockroaches, the song of crickets and grasshoppers from France and the flight of bees with extreme details. Ready to design sound for beasts, aliens, machines or futuristic UI ?

    KEY FEATURES:

    • Solo insects, no background ambience
    • Recorded with Sanken CO-100K and Sound Devices 633
    • Ultrasonic content up to 96 000 Hz, allowing crazy pitch-shifting and sound design
    • 20 species of crickets, grasshoppers and cicadas from France
    • 2 species of Madagascar hissing cockroaches
    • 2 species of bees

    SPECS:

    • 192 KHz/24 bit
    • Metadata UCS-compliant
    • Each species is identified with common name, scientific name and picture
    • No insects were harmed while recording this library

  • Animal Sound Effects Ultrasonic Insects Vol 2 Play Track 1000+ sounds included, 87 mins total $79

    Recorded over an entire year, Ultrasonic Insects Volume 2 contains dozens of new insect songs recorded with love, precision and a lot of patience! More than 3 000 kilometers were traveled to get to 12 beautiful french sites sheltering common and endemic species. All insects were recorded in quiet environments with close-miking for unparalleled quality.

    Want to get brand new sound material from nature? Listen to the songs of those tiny creatures, pitch them as much as you want and find inspiration for your next sound design.

    KEY FEATURES:

    • 22 species of grasshoppers, crickets, bush-crickets and cicadas
    • Rare death’s head hawk-moth vocalisations
    • 5 species of flying insects
    • Solo insects recorded with Sanken CO-100K
    • 8 bonus stereo ambiances recorded with MKH 8040


    SPECS:

    • 192 KHz/24 bit
    • Metadata UCS-compliant
    • Each species is identified with scientific name, common name and picture
    • No insects were harmed while recording this library (except a few mosquitos!)

Recording anecdotes:

UltrasonicInsectsV2_sound-02

Gryllotalpa Vineae, wikipedia picture

One of the first insects on my list was the mole cricket, whose song is so loud that it can be heard hundreds of meters away. This strange animal, which looks like an extra-terrestrial, digs a pavilion-shaped burrow and uses it as an amplifier. It is quite a rare species, singing only at the beginning of the night in spring, in the vineyards, when the weather conditions are favorable. In March, friends living an hour and a half drive from my home heard some mole crickets several evenings in a row. So I went to spend a weekend with them, but the mole crickets did not sing. Afterwards, I waited for my friends to point them out to me again but since the mole crickets only sing for an hour or two, I could never get there in time. I finally chose another place to record, where I went several evenings with no results. Finally, one windy evening, I parked at the edge of a vineyard, and the song of a mole cricket rang out, I felt like I had discovered treasure!

The other insect that gave me a lot of trouble is the wing-buzzing grasshopper, Stenobothrus Rubicundulus. It is a unique grasshopper that claps its wings together to make a song, instead of rubbing its legs against its elytra. Its French name is Stenobothre helicopter. The species is quite rare and is only known in a few areas of the Alps, at high altitudes. I looked for it at the border of France and Italy, at the Col de Larche. I had recent data with precise GPS coordinates. The sky was perfectly clear (a necessary condition for the grasshoppers to sing), and I was in the middle of its breeding season. I crisscrossed several hectares of mountain pastures for hours, without success. Hundreds of other insects were singing, but among them, I couldn’t hear or see any wing-buzzing grasshopper. Tired and disappointed, I decided to abandon my hunt. As I was getting back to my car, at the side of the road, I suddenly heard a sound… it was a wing-buzzing grasshopper!

UltrasonicInsectsV2_sound-03

Stenobothrus Rubicundulus

During a day of recording in the “Maures” mountains, I heard a plebeian cicada up in a tree at the side of a small road. The place was perfectly calm (quite rare), and the cicada was the only one singing – ideal recording conditions. Unfortunately, my boom pole was too short to get me close enough to the cicada, and it was impossible to climb the tree. So I stood up on the roof of my car. A passing motorist looked at me strangely.

UltrasonicInsectsV2_sound-04

Lyristes Plebejus cicada on top of a tree

There were also trips where I did not find the insects I was looking for, like Arcyptera Microptera and Arcyptera Kheili, which I found but they did not sing due to sudden clouds covering the sun. There is also the short-tailed bush cricket polysarcus scutatus, which I probably missed by a few days (its singing period is only a few weeks). It’s discouraging, but it’s part of the job. Certain species therefore remain on my list for a future volume of Ultrasonic Insects.

One evening, I heard a sound that reminded me of the song of a mole cricket in the scrubland a few kilometers from my home. I had never heard this song before, so I went back home to get my recording equipment but the sound was gone after that. I came back the next evening, and the sound was there again. But every time I approached the source of the song, it stopped… then started again somewhere else. I thought there might be several specimen, quite shy for a night cricket though. Around midnight, all songs stopped and I didn’t have a good recording. The next day, I discovered that the insect I thought I had discovered was in fact… a bird, the European nightjar!

UltrasonicInsectsV2_sound-05

Lesser evil: there are two crickets that I recorded perfectly but couldn’t take a picture of. Among them: the Marsh Cricket, which is black, measures 5 millimeters, and hides in tall grass near ponds. You might as well look for a needle in a haystack. So I took a photo of its habitat.

The Bordeaux cricket sings hidden in piles of stones and gravel. He is extremely shy and stops singing at the slightest movement. It took me a few hours, with small movements, to record it closely enough. And to photograph it, I had to find the stone under which it was hiding, lift it… and it disappeared at lightning speed under another stone. So I ended up taking a photo of his pile of stones.

There are also lucky moments, such as the discovery of a Spanish locust, Ramburiella Hispanica a few kilometers from my home, or the entry through my studio window of a big hoverfly Volucella Zonaria, ready to record!

UltrasonicInsectsV2_sound-06

Nature offers us a wide variety of sounds. Humbly, I bring you a small sample in this second volume of Ultrasonic Insects. I hope you enjoy it as much as I enjoyed recording it.

 

A big thanks to Nicolas Titeux for giving us a behind-the-scenes look at recording the sounds for Ultrasonic Insects Volume 2!

Get the full sound library here:

 

 
  • Animal Sound Effects Ultrasonic Insects Vol 2 Play Track 1000+ sounds included, 87 mins total $79

    Recorded over an entire year, Ultrasonic Insects Volume 2 contains dozens of new insect songs recorded with love, precision and a lot of patience! More than 3 000 kilometers were traveled to get to 12 beautiful french sites sheltering common and endemic species. All insects were recorded in quiet environments with close-miking for unparalleled quality.

    Want to get brand new sound material from nature? Listen to the songs of those tiny creatures, pitch them as much as you want and find inspiration for your next sound design.

    KEY FEATURES:

    • 22 species of grasshoppers, crickets, bush-crickets and cicadas
    • Rare death’s head hawk-moth vocalisations
    • 5 species of flying insects
    • Solo insects recorded with Sanken CO-100K
    • 8 bonus stereo ambiances recorded with MKH 8040


    SPECS:

    • 192 KHz/24 bit
    • Metadata UCS-compliant
    • Each species is identified with scientific name, common name and picture
    • No insects were harmed while recording this library (except a few mosquitos!)


 

Please share this:


 



 
 
THE WORLD’S EASIEST WAY TO GET INDEPENDENT SOUND EFFECTS:
 
A Sound Effect gives you easy access to an absolutely huge sound effects catalog from a myriad of independent sound creators, all covered by one license agreement - a few highlights:

  • SONIC SPELLS WITH REAL PERSONALITY

    MAGIC – ALCHEMY is a professional sound effects library built from real chemical reactions and elemental forces. It delivers short, character-rich magic sound effects perfect for spellcasting, magical UI design, and fantasy storytelling. Designed to sit cleanly in a mix and shimmer with personality, these spell sounds are ideal for games, trailers, audio dramas and more. Real reactions, recorded with obsessive detail.

    MAGIC - ALCHEMY | Sound Effects | Trailer

    Magic Sounds from Real Chemical Reactions

    No digital fakery here. Every sound in MAGIC – ALCHEMY began as a live experiment — alcohol burning in jars, butane growling through pipes, fuses igniting, water swirling in glass. These are true-to-life textures, captured in a lab-grade recording setup. The result? Magical sound with depth, realism, and spark..

    Short, Sharp, and Ready to Use

    These are not long, cinematic flourishes. This library is about immediacy — short, dry, punchy magic effects that are easy to slot into your project. Ideal for game asset design, magical feedback sounds, and trailer moments where clarity counts.

     
     
     

    Three Spell Flavours: Holy, Cursed, Neutral

    Need a healing chime, a cursed hex, or something more ambiguous? The Designed section is grouped into Holy, Cursed, and Neutral categories — giving you emotional options that match your scene’s intent, whether you’re crafting a fantasy RPG or a subtle magical interaction.

    Built for Professionals, Whatever You Create

    Whether you’re layering magic for a fantasy film, adding interactive audio to a mobile game, or creating rich textures for audiobooks or theatre, MAGIC – ALCHEMY fits right in. It’s mix-ready, flexible, and full of sonic character.

    20 %
    OFF
    20 %
    OFF
    20 %
    OFF
    20 %
    OFF
  • ‘Tiny Transitions’ deivers 275 short Whooshes and other Transition sounds. Instead of the huge, more cinematic transitional sounds that you are accustomed to hear from SoundBits, this sound pack focuses more on the smaller, not-so-intrusive production elements that come in very handy for any Sound Designer, All-In-One Film Editor or Web-, App- and Game-Developers.

    All these small motion-supporting elements that you need in your everyday work for game menus, apps, general motion designs, … or as parts of more complex moving stuff.

    You get 275 designed sounds + a selection of 290 cleaned and edited source sounds that were used to design the Tiny Transitions. These sounds are mostly different props that are scraping or sliding on different surfaces and also some vocalized whoosh attempts.

    All source sounds were recorded with Sonosax SX-R4+ and Sennheiser MKH8050+MKH30 M/S rig.

    All sounds come with embedded Soundminer Metadata.

    50 %
    OFF
  • Unbox your creativity with Professional Boxer: Cardboard. This comprehensive library features 244 high-quality Cardboard Box sound effects with various gestures ranging from single boxes sliding, handling, rubbing, opening, closing and squeaking to multiple boxes being stacked, moved, and dropped. This collection provides a diverse range of sounds and textures and can serve as great source material for sound design work, recorded at 96kHz/24 bit for ultimate sound manipulation.

    35 %
    OFF
Explore the full, unique collection here

Latest sound effects libraries:
 
  • UI Interaction Elements by Cinematic Sound Design delivers a meticulously crafted sound effects library designed to enhance every click, swipe, tap, and notification in your user interface. This collection brings your apps, games, websites, and software to life, providing a rich auditory experience that makes every interaction feel responsive, intuitive, and satisfying.

    Inside this library, you’ll find over 200 high-quality sounds, ranging from subtle, crunchy clicks and soft taps to layered futuristic swipes, innovative button presses, toggle switches, and alert notifications. Each sound has been professionally recorded and mastered to ensure clarity, balance, and versatility across any platform or device.

    Whether you’re designing a mobile app, developing an interactive game, or building a modern web interface, UI Interaction Elements provides sounds that seamlessly integrate with your visual design, enhancing user feedback and engagement. The library has been meticulously designed, with each sound layered down and optimized for a maximum performance.

    Bring your interfaces to life and create a tactile, immersive experience for your users. Make your UI unforgettable, one sound at a time.

    20 %
    OFF
  • Animal Sound Effects Forests and Mountains Play Track 96+ sounds included, 220 mins total $110

    Forest and Mountains features nature and wildlife sounds from California, Washington, and Oregon.  Included are a number of bird recordings and forest ambiences, along with some insects, winds, rivers, and rain.  

    These were recorded over the past three years in various forests, foothills, and mountain environments.   A lot of these took place in or near Southern California’s Angeles Forest and San Gabriel Mountains, an area that spans 1200 Square Miles and varies vastly in terrain.

    Also included are some sounds from Northern California, along with recordings from the Pacific Northwest.

    The recording techniques for this varied as sometimes I went with the recorders running unattended to capture night, dawn and early morning.  Other times I’d record while being close by.

    Working as a Sound Effects Editor I’ve curated this collection with Editors in mind.  Background Ambiences and Spotted FX can really bring a location to life and give it so much story and character and that was a lot of the inspiration behind putting this all together. 

    Forests and Mountains

     

    The Locations

    California (61 Files) – This is where a majority of the sounds from this library were recorded and specifically Southern California.  Variety of areas and different environments, mostly around Angeles Forest, from Lower Elevation Foothills to more rugged mid-elevation Mountain Canyons and then much Higher Elevation and more remote terrain.  Also included are a few recordings from the Eastern Sierras and Northern California.

    Washington (19 Files) – Southern WA in Gifford Pinchot Forest and various Northwest Forest areas near Puget Sound.

    Oregon (16 Files) – Lakeside Recordings in forest and marsh at Klamath Lake in SE Oregon. 

    The Birds 

    Prominent / Specific Birds (36) (Closer Mic Perspective and more detailed) (* denotes multiple versions)

    Acorn Woodpecker, Barred Owl, Black-headed Grosbeak, California Towhee, *Canadian Geese, *Fox Sparrow, *Great Horned Owl, *House Wren, Northern Flicker, Oak Titmouse, Pacific Wren, Pileated Woodpecker, *Raven, Robin, *Song Sparrow, Spotted Towhee, Swainson’s Thrush

    Other Birds Featured (17) (Mixed together from various perspectives, calm to busy depending on time of day, and then closer to more medium and distant sounds.)

    Acorn Woodpecker, American Coot, California Quail, California Towhee, Cassin’s Finch, Fox Sparrow, Great Horned Owl, Hose Wren, Mallard, Mountain Chickadee, Northern Flicker, Nuttall’s Woodpecker, Oak Titmouse, Pied-billed Grebe, Common Poorwill, Raven, Red-tailed Hawk, Spotted Towhee, Steller’s Jay, Western Tanager, Western Wood-Pewee, White-breasted Nuthatch, Wilson’s Warbler, Wrentit, Yellow-throated Blackbird, Zone-tailed Hawk

    General Forest (9) – A mix of some wildlife (Chipmunk, Deer, Bullfrogs), and more general lighter forest ambiences.
    Insects (7) – Crickets from various perspectives and different forests along with some Grasshoppers.
    Rain (4) Light to heavier in a canyon with dense vegetation, some with distant birds.
    Rivers (5) Smaller detailed creeks to faster moving rivers.
    Wind (11)  A mix of calm to heavier with gusts, vegetation, and tree creaks.
    Metadata
    Detailed with descriptions and markers and photos to easily navigate and allow for options when searching.  UCS was used to categorize and various bird species are identified.  I’ve also labeled the metadata with what I consider Lower Elevation (up to 1500 feet), Middle Elevation (2000-5000 feet), and Higher Elevation (above 5000 feet).   Included are the season of the year which was mostly Spring and Summer.  Using Open-Tier in Soundminer you can use these to help get a bit more specific to particular environments.

    The Gear

    Sound Devices MixPre-3 & 6 | Zoom F3 & 6 | Sony PCM-D100

    Mics

    Sennheiser MKH 8020 | Sennheiser MKH 8040 |

    Sennheiser MKH 30 | Clippy EM 272

  • Hello Creators!

    Here’s my new pack: “General UI Sounds“

    General UI Sounds  ·  The Sound Guild

    I wanted to create a sound pack to cover different situations in an user interface.
    I hope you enjoy implementing this sounds in your project!

    Making-Off

    All this sounds were originally recorded with a Zoom H6 (cardiod microphone), and were processed in Logic Pro X, mainly editing the recorded material but also I used the Logix Pro X sampler.

    Some considerations

    1. Keep in mind this sounds can be used in a variety of situations, I put a name to the SFX but this doesn’t mean it can’t be used in other contexts.

    2. The sounds are in 44.1Khz/16 bit format. I have the original files at 96khz/24bit also, if you need this format, please contact me.

    Check all my packs on Asoundeffect

    50 %
    OFF
  • Car Sound Effects BMW Z4 E89 2009 sports car Play Track 221 sounds included, 47 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Toy Quadcopter is a focused mini library capturing the playful and high-pitched character of a toy drone in motion. Perfect for film, TV, games, and interactive media, it offers a variety of flight sounds, close fast pass-bys, slow passes, motor modulations, and essential electronic signals.
    This collection includes take-off and landing sequences, beeps for syncing, calibration and low battery warnings, as well as servo engine textures and detailed proximity recordings. Recorded with precision and clarity, it’s a compact but rich toolset for designing scenes that call for small UAVs, gadgets, or sci-fi elements.


   

Leave a Reply

Your email address will not be published. Required fields are marked *

HTML tags are not allowed.