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Plug-Ins and Standalone tools for all of you mixing and sound design needs
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
Edward brings real recorded and natural randomized Foley Artist footsteps to every audio production studio – and offers high end quality and parameters to adjust distance and environment based on Native Instruments Kontakt engine.
Edward Foleyart Instrument supports the free NI Kontakt 6 Player!
This means you don’t need to own a full version of Kontakt to run this instrument!
Includes the following surfaces: Asphalt • Carpet • Concrete • Diamond • Dirt • Grass • Dry Grass • Gravel • Hardwood • Leaves • Metal • Rocks • Timber
Includes the following shoes: Sneaker • Boot • Business • Heel • Slipper • Barefoot
Key Features:
• 35.600 real Foley sounds in HD quality @ 24Bit, 96 kHz
• 43 combinations of shoes and surfaces
• Unique recording setup to easily change footstep distance
• FULL NKS support
• Different walking speeds and behaviors
• Automatic left/right-foot diversion
• EdV3rb IRs inside the instrument
• Requires the Free or Full Version of NI Kontakt Version 5.5.2 or higher.
Existing Edward user?
• Send a message here with info about what version you currently have for a special upgrade price
TEXTROBOT is a NI Kontakt instrument designed to help you in the sound design of UI sounds and to produce retriggered samples for VFX text animations.
All 165 sounds are easily accessible using a MIDI master keyboard from the first octave. You can choose a category to load a set of samples and play it manually, or in the retriggered way (if active) by holding down the note. The full version of NI Kontakt is required to use this library.
• Click (10 samples): very tight, clicky sounds for UI interface usage or small text VFX
• Bleeps (16 samples): it contains bleeping sounds, tones, and alerts for telemetrics and sci-fisound design
• Big Size (16 samples): a collection of low frequency sounds for big title animation
• Percussive (22 samples): organic and processed percussive sounds like shakers, maracas, and woods for multimedia apps or menu sound design
• Fun (30 samples): a collection of funny sounds for cartoonish motion graphics
• Digital (20 samples): glitches and lo-fi sounds for experimental videos
• Keys (28 samples): keyboards, typewriters, and mouse sounds
• Mechanical (23 samples): switches, clangs, squeaks, and metal impact sounds for mechanic motion graphics
The first VST/AAX/AU plug-in from SoundMorph, DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point.
Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds you've ever created.
• Presets by Richard Divine, Ivo Ivanov, Robert Clouth, Yan David
• 8 particle emitters
• convolution reverb
• Binaural Audio Panning
• Save and recall presets
• Custom Flow Field equations
• over 60 sounds included
• import your own sounds
• 4 modulation options on parameters
• Available in VST, VST3, AAX and Audio Unit format
• Compatible with Mac and PC (32 bit and 64 bit)
• Compatible with most major Daws
An Intel® Mac with Mac OS X 10.9 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Want to design your own whoosh sound effects? Wave Warper is a revolutionary new way to create your own amazing custom whooshes, passbys, morphed sounds, and sample mayhem. It is a standalone app that combines and loops up to 6 sound file layers to create one new dynamic file using multiple real-time controllable effects and optional VST plugins.
For years sound designers and musicians alike have had to painstakingly layer sounds within DAWs and create time consuming midi controlling scenes to create whoosh, doppler, and passby effects.
Wave Warper takes advanced concepts and simplifies them into one quick, fun, and intuitive software. It is incredibly addictive to use, and produces sounds like you've never heard before.
• Load up to 6 sound files
• Load up to 10 VST plugins within Wave Warper
• Real-time user controlled XY pad allows you to 'perform' Wave Warper
• Pitch, volume, panning, and filtering defined envelopes follow along in real-time
• Randomizes your sound library folders to quickly generate new sounds
• Sine, triangle and square LFOs
• Wind and whistle generators
• 2 compressors
• 9 filter settings that follow along in real-time
• Volume fluctuation on each file for creating dynamic sounds per layer
• Leap Motion control option. Leap Motion sold separately here
• Reverb
• Compatible with Mac and PC (32 bit and 64 bit)
An Intel® Mac with Mac OS X 10.7 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Designed with innovation in mind.
Each software application we provide pushes the limits of creating in its own way:
Dust – synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source.
Wave Warper – for creating your own modern whooshes, passbys, and sample mayhem.
– for morphing, bending, and stretching time and samples.
Evil Twin – for cinematic sound and music design, granular effects, impacts, glitches, and bpm synced loops.
Galactic Assistant – for creating endless user interface type sounds. The first ever UI synthesizer.
DR01D – Included for free! Retro robot voice simulator.
To learn more about each product, we encourage you to visit their individual pages, where you can watch tutorial videos, read more about them, and view the minimum system requirements.
Stretch, pitch & morph your sounds to infinity! 3.6Gb of custom sounds made by Ivo Ivanov & SoundMorph!
TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software. Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.
You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.
TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!
WHAT’S INSIDE
Features:
Load up to 4 sound files
Load up to 4 VST plugins within TimeFlux
8 snapshot Sphere Controller
Optional Leap Motion controller. Leap Motion sold separately here: http://www.leapmotion.com
2 time stretchers
1 morpher
4 filters
Record and Export your performance in WAV files
3.6 GB TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
Compatible with Mac and PC (32 bit and 64 bit)
System Requirements:
An Intel® Mac with Mac OS X 10.11.6 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Glass Bottle Percussion is a cinematic instrument built from 400+ sample recordings of antique glass bottles.
Our Audio Craftsmen meticulously edited, balanced and programmed 4 round robins and 3 velocity layers for each bottle, before integrating them into our Kontakt interface, giving Film Composers and Music Producers a suite of unique textures to use in their tracks. These sounds are perfect for trailer percussion loops, rhythmic tension, electronic music and film score cues with an exotic tonality.
The Main Articulations include: Drumstick Hits, Hand Taps, Bottle Top Hits, Drum Beater Hits, Nail Taps, Rolls, Scrapes and Wobbles.
But we didn’t stop there… As always with our Kontakt library releases, our in-house Composers designed an eclectic array of designed patches. Pads, choirs, drones, oil drums, screams, plucks and even karate chops give the user both tonal and atonal material to layer with their percussion, and build a haunting, glassy texture into their sound.
The 344 Audio Kontakt interface provides a variety of controls that encourage experimentation with the patches. The built in Arpeggiator is great for generating hundreds of percussion variations on the fly, while the Main View provides a set of parameters perfect for shaping the sounds your way.
Kontakt 5.8.1 or higher is required.
NOTE: This library does not run in the free ‘Kontakt Player’
3 mic perspectives give full coverage on an antique typewriter in good working condition. The typewriter had a loose front plate and we clacked, hit and dropped it for a wide range of cool typewritery sounds. The Kontakt instrument presets requires the full version of NI Kontakt 4.2.3 or later.
KING OF STRINGS is the first Octobass sample library for Ni Kontakt.
Featuring the sampling of the unique custom made “Bohr-Moneta” Octobass.
There are only 4 octobasses in the world, this instrument is the perfect way to add the power of a rare bass instrument to your music compositions, giving an organic flavor without sacrificing the natural rough sound of a string instrument.
NOTE: KING OF STRINGS is an instrument for Ni Kontakt, it requires full version of Kontakt 5.8 or highter versions
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
The Burroughs Protectograph that we acquired was manufactured around the turn of the 20th century and had a single unique function – to stamp and emboss checks for banks. The Burroughs corporation has been around since 1886, and was an early force in the adding machine, check stamper and typewriter industries. This Protectograph version had an electric mechanism that would move large printheads down through a ribbon and would stamp a check hard and repeatedly for as long as the print key was held down. Our machine was acquired in perfect working condition.
Its keys have a short through but a satisfying clack, and the punch mechanism is a huge whir stamp sound than can cycle if the punch button is held down. We rolled with the case both on and off, which revealed very different sounds from the main electric mechanisms.
We ran the whole session with three perspectives miked up – front by the keys, in the back by the punch and a wide perspective perfect for bgfx placement. The front and back mics were Schoeps CMC6.MK4 and the wide mic was an AT 4050 in omni about 5 feet away. Listen to the straight examples give a clear accounting of the type of sounds we got from this machine, and the bent examples show what can really be done with those sounds and the Kontakt instrument.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.