This sound library was carefully recorded, processed and crafted to offer a unique toolset for your water and underwater design needs.
Great for hyper realistic or abstract designs, fantasy genre with water based magic, creature or surreal underwater movement, motion graphics with liquid elements and textures.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “Cinematic Water Whooshes and Textures’ is great for anything. You won’t be hearing recordings of calm rivers or relaxing streams, but cinematic whooshes and textures for soundtrack works and media projects. Whether you’re into this type of sounds, this pack was recorded quite well, professionally edited and processed with Slava’s own flair.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
A complete collection of sonic exploration by Slava Pogorelsky.
Grow your sound arsenal with an ever evolving collection of high-end cinematic and fresh sound effects!
Here’s what to expect:
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS introduces a fresh sound palette for steampunk soundscape of machinery and mechanisms that sound huge, gritty and full of character, totaling 1454 sound effects.
RESONATING METAL FORCE offers a fresh sound palette of reverberant aggressive metal rampage, totaling 680 sound effects. Featuring creeping evolving metal pressure and resonating rattle, massive rumble, explosive impacts and nerve-racking squeaks.
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES offers a unique toolset for nightmarish designs, totaling 564 sound effects. Featuring creeping dread of bowed metal wires, strings and double bass, providing exciting opportunities for unique layering.
CINEMATIC MAGICAL ICE is offering a unique toolset for ice-cold freezing designs, totaling 267 sound effects. Great for fantasy genre with ice based magic, motion graphics, time lapse and flow motion freeze sequences.
CINEMATIC WATER WHOOSHES AND TEXTURES is offering a unique toolset for water and underwater designs, totaling 285 sounds. Great for hyper realistic designs, water based magic, surreal underwater movement or motion graphics with liquid elements.
CINEMATIC WOOD SYMPHONY is offering a variety of wood based recordings that were morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures, totaling 611 sound effects.
SCI – FI ELEMENTS VOL.1 is offering a variety of carefully crafted futuristic sound effects that vary from pleasant and musical to unpredicted and glitchy, totaling 364 sound effects.
CINEMATIC METAL WHOOSHES is offering a unique collection of aggressive roaring metal whooshes and transitions with cinematic feel and mind bending characteristics, totaling 120 sound effects.
WHAT SOUND PROFESSIONALS SAY:
Philip Eriksson – Audio Director (It Takes Two, Battlefield V, Star Wars: Battlefront I & II) “Slava has some pretty kick ass sound libraries!”
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Stefan Kovatchev – Audio Director (MultiVersus) “Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts.”
Shane Tetro – AAA Sound Designer (Remnant II) “Slava’s libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!”
Samuel Gagnon-Thibodeau – Sound Designer/Sound Effects Editor (Dream Scenario, The Watchers, Hunting Daze) “Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
This cutting-edge library was created in collaboration with several award-winning sound designers, whose credits include Disney+, Diablo 3, The Outsider, Soul, Starcraft 2, Heroes of the Storm, Hearthstone, Assassin’s Creed Valhalla, Mortal Shell and many others.
Cinematic World includes over 600 highly detailed designed, signature and source sound effects.
All sound effects come in 24bit 96kHz, including detailed naming conventions and rigorous Soundminer-embedded metadata.
All source sound effects were recorded with professional high-end equipment, including Sound Devices 788 with ORTF setup of Sennheiser MKH 8040’s and MKH 8050, as well as Rode NTG8, LOM Elektrosluch, DPA 4060 and Sony PCM D100.
Library Review:
“RT Sonics’ libraries are awesome and irreplaceable – not only do they feature ready-to use-designed assets that stand out from the crowd, but also have immaculately recorded construction kits that I keep coming back to! You can tell that these libraries are created by sound designers, for sound designers.” –
Alex Previty
Sound Designer Audio Lead | Spider-Man (PS4), PlayStation
Cinematic World features:
Heavy Hits, Low Hits, Pulses, Clock Loops, Mech Suit Buildups and Weapons, Strings, Risers, Pings, Car Whooshes, Monster Roars, Bass Drops, Braams, Whooshes, Whoosh Hits and much more.
A variety of wood based recordings are morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures.
Cinematic Wood Symphony offers subtle movement and satisfying cracks, terrifying wooden stress and forced pressure, aggressive impacts and designed explosions, wooden vibrations, playful squeaks and annoying screeches, low pitched rattling and rumbling experimental textures.
Choose from designed wooden goodness or sculpt your own cinematic wooden awesomeness with source material.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “The spotlight of ‘Cinematic Wood Symphony’ is the wide range of complex sounds that can be dropped in your sound design projects. I love the Wood Movement and Tonal sounds, and I’m sure thriller and horror music composers will be delighted with the Friction and Impact sounds. If your cinematic projects are lacking texture and impact sounds ‘Cinematic Wood Symphony’ is a library to be considered – especially if you’re looking beyond common wood sounds.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
The “AR_K Facility” is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes – like a drum machine – as well as for soundtrack composition and sound design in films, videogames and any other multimedia product.
The first volume (called “Level 1”) is a single instrument library with several percussion sounds and a lot of sound manipulation possibilities.
Specifications:
– 5 Sound Engines
– EQ and Compressor per Engine
– 6 Insert effects
– 2 Send (master) effects
– 10 custom made IRs for the Reverb
– Light weight: 12,8 MB
– Sample format: 44,1 kHz, 24 Bit, NCW, stereo
– Requires Kontakt 5.6.5 or above (FULL VERSION)
– Version 1.0 (August 2019)
RAW CELLO FX features manipulated and mangled cello sound effects designed to provide the full character of the instrument and harmonic richness in order to create a completely unique set of organic samples between music and noise, intimate and vivid bold sounds expanding new possibilities out of this instrument.
Different techniques and less-than-conventional microphone placement have been used to create gorgeous harmonics and a wide array of interesting sounds. We “played” with fingers and hands, different bows against the strings, objects and kitchen utensils, bowing, scraping or hitting single and multiple strings or parts of the wood body.
The collection features designed hits, bow, crescendo, screech, woosh, swell, bonus fx folder and is ready for trailer and soundtrack projects.
AntiSystem, a brand new collection of 570+ Horror Sci-fi one-shot samples and loops with a technoid approach, created in collaboration with South American sound designer Matias Cerviño and SampleTraxx.
Antisystem delivers tension and excitement with a genre-crossing, detailed hard-hitting sound design. Especially suitable for horror and sci-fi projects, it brings to the table a complete arsenal of unmistakable signature sound effects.
1,6 GB of WAV samples with Key Information, 15 Categories, and 17 Kontakt Instruments ready to be fired in your next project.
Inject a new wave of sonic madness!
Categories:
Atmosphere
Atmospheric Elements
Cinematic Movement
Crescendo
Feedback Larsen
Glitch Stutter
Hit Design 1
Hit Design 2
Loops with Kontakt tempo sync
Low Hit
Low Key Elements
Ramp Up Woosh By
Reverse
Rise
Topping Elements
Features:
1.6 GB of content
15 Categories
570+ Wav samples 48/24 with key information
17 Kontakt Instruments – Full version 5.8 needed
Kontakt Free Player not supported
Aphelion brings you a slew of powerful cinematic sound effects, suited for trailers, videos, film, music and games. The library comes jam-packed with 760 24 bit, 96kHz sound effects in total, processed and designed for maximum impact.
We've got a long history doing factory sounds for world-leading synth and virtual instrument developers across the globe, but this is our debut release under our own name – hope you enjoy it!
New version 1.5:
This is an updated version of Aphelion which features 842 samples, 334 loops at 110 BPM, 468 Kontakt Presets and 94 Kontakt Multi-sounds, an optional, brand-new Kontakt GUI, additional Pulses, Drones, Ambient soundscapes and more
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your nightmarish design needs.
Featuring creeping dread of bowed metal wires and strings, as well as menacing stabs and frantic hits. Double bass raw recordings and designed sound effects provide exciting opportunities for unique and twisted layering.
Explore and manipulate meticulously edited source material, drag and drop designed sound effects for instant terror or add gritty details and raw power to music compositions.
With plenty of experimentation and unique processing, this library introduces a fresh sound palette for horror sound design and music.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “‘Evil Strings Tortured Wires’ is an all-scary affair with plenty of really good, nightmarish, imaginative sounds from authentic materials, like double bass, dulcimer strings and metal wires. Sound-wise, this sample pack is clean and carefully recorded. The editing and processing of sounds is top notch, with sound design techniques applied very professionally. Overall, very gritty and not for the faint of heart.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
This sound library presents carefully crafted high-tech sound effects that vary from pleasant and musical to unpredicted and glitchy designs.
Great for futuristic user interface, virtual reality hacking and memory extraction, corrupted alien technology and evil cyber-intelligence, AI powered weaponry, scanning objects in a digital world and high-tech cybernetic settings.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “Each sound was carefully designed and captured using various high end tools and studio instruments. To be able to come up with these sounds one must layer and heavily process the raw files. Slava did just that. The sounds are static, yet bursting with energy. You won’t be disappointed, especially if you create music for trailers, game, TV, films and commercials.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Discover one of the biggest collections of bells ever recorded with nearly 6 hours of sound.
Beautiful Bells BUNDLE contains the solo ringing of 76 swinging bells and 135 stationary bells, captured in 62 bell towers, carillons, chapels, churches, cathedrals, basilicas and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.
Swinging bells are struck by a hanging clapper. They have a natural pitch modulation due to the Doppler effect, and a timbre modulation due to varying orientation. They produce a deep and lively sound and are mostly used to announce masses, religious holidays, weddings and funerals.
Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.
Every bell size and pitch is represented in this library, from huge 10 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of more than 5 octaves. The sounds are sorted by note from D2 to G7.
The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).
You will also get 15 peals of multiple bells, called plenum.
By sorting the solo sounds by location, you can recreate authentic bell combinations. You also have the freedom to create any custom combination or use the sounds as instruments in musical scores.
All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.
Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive swinging bell collection ever recorded.
SUMMARY:
• Contains BEAUTIFUL BELLS Vol 1 & BEAUTIFUL BELLS Vol 2
• A total of 227 sounds recorded in 62 locations
• Wide variety of bells (size, age, tuning)
• Contains the ringing of 10 bourdons
• 2 carillons virtual instruments
• Contains peals of multiple bells
• Contains a collection of 10 small ancient bells
• All notes from D2 to G7
• Metadata with detailed information about each bell
SPECS:
• 96KHz/24bit
• Very low noise
• Metadata UCS-compliant
• Mainly recorded with Sennheiser MKH 8040
This sound library introduces reverberant aggressive metal rampage with just a hint of subtlety right before the enormous sound rushes to deliver a piercing brutal blow.
Featuring creeping evolving metal pressure and resonating rattle, gritty friction and massive rumble, explosive impacts and fierce slams, vicious screeches and nerve-racking squeaks.
Explore and layer meticulously edited source material or drag and drop high-end detailed sound effects designed for instant devastating damage.
With plenty of experimentation and unique processing, this library introduces a fresh sound palette for action adventure and horror genre, trailers and in-game cinematics.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
SampleTraxx is proud to introduce “DEADBOW,” the newest addition to our organic sound effects series. DEADBOW is a premium sound collection entirely created from raw, live string recordings by sound designer Alessandro Romeo for SampleTraxx.
Featuring 400+ premium WAV sounds from smooth and delicate to aggressive and extreme string mutation including bowed cello hard and soft, cello and violin phrases and reverse, crescendos, tick tocks, designed violin stutters, screeches, plucks, jetèz and a raw source folder with files at 96/24 resolution, for an ultra realistic yet mangled horror strings collection.
The Kontakt instruments featured in DEADBOW turn into a powerful sound design instrument with a straightforward, easy-to-useengine, including 27 Instruments and 10 Multis to combine and create unique horror sound design elements in seconds, from classic sounds to abrasive and gritty sonic signature.
This sound library comes from recording water heater, washing machine, window, door, keys and shower glass with lom géofon.
After working these sounds in post production, this library comes with 14 incredible drone sounds that will bring your vídeo, trailer or movie to life.
The Audio Hero Game Show sound effects collection features 47 professionally recorded music cues and sound effects, ready for use in your productions. Included in this library are musical themes, segues and fanfares as well as a great selection of sound effect accents! These sounds are all hand-picked from the Sound Ideas Classic Showbiz Segues, Cartoon Express and Series 6000 libraries.
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
Epic Stock Media’s Game & Film Logo Transitions collection brings producers and sound designers a carefully handcrafted, versatile and wide ranging catalog of the most useful designed motion graphic sound effects for audio branding, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 400 original audio assets that will help you make polished sonic branding sound types like movements, transitions, reveals, appears, disappears, cinematic’s, and accents especially useful for audiovisual needs and productions.
Imagine the visceral sensation of particles shifting and evolving, the subtle textures of organic materials swirling and twirling, and the eerie sounds of supernatural change. With “Elemental Mutation,” you’ll have access to this unique collection of SFX loops that capture these experiences in intricate detail. Inside you’ll find over 1000+ designed and organic seamlessly loop-able morphing particles, evolving textures, and organic mutations sound effects perfect for creating soundscapes, ambiences, entropy, high detail or layers in a soundtrack. This comprehensive library captures the subtle nuances of growth and evolution, as well as the uncanny and unsettling sounds of unnatural transformation.
An intense and powerful collection of highly sought after cinematic trailer sound effects. Welcome in, Trailer Force, a specialized boutique movie trailer sound effects library tool kit filled with all the essentials. Designed to add industry standard brute sonic force to your mixes and strikes big cinematic energy within your productions. Inside you’ll hear beefy trailer hits, rising whooshes, punchy impacts, eerie tension drones, a vibrance of textures and aesthetics, all layered to perfection. Create compelling motion graphics, cinematic cutscenes, FX, trailers and epic audio dynamics.
With extreme low-end depth and sonic clarity, BOOM features 130 boom sound effects spanning from abstract, resonant tones to signature, impactful hits, offering full coverage of the low-end spectrum.
The range spans from dark, obscure tones to low-end booms layered with signature sounds, degraded low-end textures and long tails of bass frequencies. All sounds are labeled with key information.
For cinematic projects and a variety of media where low-end sound is key, BOOM is a valuable addition to your sonic palette, delivering bold, atmospheric depth and precision to your audio.
Create dramatic tension, immersive environments and impactful sound design.
Chaotic precision and intensity, crafted for maximum impact. DESERT TRASH brings 170 WAV sounds to the table, ranging from subtle signatures and call-response elements to brutal, hard-hitting sound design.
Subtle, Intense, Extreme
From intimate signature sounds perfect for intros to brutal bursts and head-spinning tones, these samples combine modern design with rich tonal complexity.
Dramatic and Punchy
For sci-fi futuristic trailers, otherworldly atmospheres, and when you need dramatic accents or want to add extra punch to your arrangements, DESERT TRASH has you covered.
Designed Ready Sounds
Each sound is crafted for maximum impact and ease of use and ready to add an alien tone to your projects with no further processing required.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS
RESONATING METAL FORCE
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES
CINEMATIC MAGICAL ICE
CINEMATIC WATER WHOOSHES AND TEXTURES
CINEMATIC WOOD SYMPHONY
SCI – FI ELEMENTS VOL.1
CINEMATIC METAL WHOOSHES
